The first half hour is fun, how could it not be with Pauline Collins and Billy Connolly being all rascally and scatty? (Not in that order of course). Michael Gambon in his patented "irascible old goat" routine and Tom Courtenay being sensitive and pensive all over the place. So far s'ok. But just about 30-40 minutes in it begins to sag; and the second time Connolly pees into the bushes to tittering effect (and believe me, at my age I do understand the thematic point of his micturitive distress), I bailed out. It became clear to me what was going on: these absolutely marvelous actors had been placed in cardboard suits patterned after characterizations for which they've become (justly) famous, wound up like little clockwork figures, and set in motion to totter across the frame like little wind-ups: "Billy Connolly doing his randy old bandit of a Scot" and "Maggie Smith doing her Jean Brodie Way Past Her Prime shtick" and so on. Well it's not their fault, it sits squarely on the director's shoulders. I had very high hopes for Dustin Hoffman's directorial maiden voyage - very fine actors frequently make very fine directors (and he might, I hope he takes another crack at it soon). But I have the feeling that in an overflow of (deserved) respect for his cast, Hoffman indulged them with one too many "Just give me something of yours, never mind the script" and they fell into their set modes and set pieces instead of coming up with new people.
I'll pick it up again soon, but unless it begins to move in a more original direction I doubt I'll make it through the remaining hour. Sad too, I was really looking forward to it, I love the work these people have done. (Andrew Sachs, BTW, seems to have been entirely overlooked and he's pretty much wasted as wallpaper. Too bad, the guy has huge talent.)
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