Friday, May 11, 2012

Barth 2.0

I've sort of rediscovered John Barth recently. Turns out it's more like "the new (though not necessarily 'improved' since there was nothing wrong with the 'old' John Barth) John Barth" or to be more up-to-date, John Barth 2.0 (maybe an even later dot-release). I was introduced to his work in about 1966 or '67, in my junior year of college; the first piece of his I read was The Sot Weed Factor, and it impressed me so much I moved immediately to Giles Goat-Boy, then The Floating Opera and The End of the Road. None of these latter impressed (or entertained) me as much as SWF however, and GGB, especially, got very tiresome. Opera and Road were downers. I took a stab at Lost in the Funhouse, and it was more enjoyable, but Letters and Tidewater Tales failed to engage me completely, and I drifted away from Barth, though retaining my huge admiration for his talent. All this over the first 20 of the last 40 years or so.

Somewhere (on the Lannan Foundation website) recently I stumbled across a video of a 'conversation' between JB and some professional "admirer of artists" so I watched it and was entertained and informed - considerably - about the personality of the now-80-something Barth, so I picked up a recent effort, Every Third Thought - A Novel in Five Seasons, and it's on my Kindle as current workout reading. I'd forgotten how discursive, digressive, and just plain prolix Barth can be, but he does it so well it isn't (at least in this case) as tiresome as it might threaten to be. I've recently taken a whack at David Foster Wallace (Pale King - a sample on the Kindle) and it's exhausting. But I'm delighted that Barth is back (or rather, he's never been away, I've just been wandering in sort of a Barth-starved wilderness of my own making, I guess). Every Third Thought is a glorious example of postmodern confusion (or integration) of narrator, author, and character. I'm a little over half-way through and will offer a full response when I'm done, but for now - if you're familiar with Barth then I recommend it. If you're new to Barth, I recommend Sot-Weed Factor first, it's a glorious entertainment and a highly accomplished work of deeply considered fiction.

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